Senior 3D and Compositing Artist
Year: 2015
Postproduction: Moviebrats
Position: Compositor, 3D-Artist
Software: Autodesk Maya, Adobe Photoshop
For this project we had to create a bill for Roche PVT, a company in the field of medical technology. I joined the project near the end to finalise the result and to get out the last 5 percent. The 3D-scene already existed and I just optimized the rendersetup to have enough time to post-process the render result in Photoshop (see the following images).
Year: 2015
Postproduction Company: LUG und TRUG
Position: Compositor, 3D-Artist
Software: Autodesk Maya, The Foundry Nuke, Adobe After Effects
Additional Information: here
This was a project for the VW-Forum at Friedrichstrasse/Unter den Linden which was and maybe still is a permanent video installation on all screens of the showroom. The task was to create a 15 seconds long animation for each brand of the VW-Group. Mine were MAN and BUGATTI. The beautiful thing on this project was that each artist could suggest his own interpretation of the brand only directed by some basic given things.
Here I created a miniature world representing the products of MAN keeping the modern world alive like trucks, busse, engines for ships, pinwheels and a lot more – basic instruments for the global world.
The concept was given by Bugatti and realized in direct collaboration with Bugatti’s Art-Department.
year: 2014
postproduction: Moviebrats
position: Compositor, 3D-Artist
software: Autodesk Maya, Blackmagic Fusion
As generalist, I was responsible for all day and night shots of the castle. At first I created a rough model of the castle in Maya including textures and shader. Then I just had to set the camera, light the scene and render all with passes. I’ve done all the composite in Fusion. Further tasks as compositor was to airbrush small blemishes like enlightened windows, sources of light and the meanwhile distant shooting second unit.
Making Of:
year: 2014
postproduction: Moviebrats
position: Compositor
software: Adobe After Effects
The task for the 25th anniversary was to seperate historic pictures of the Fall of the Wall into layers and give them a certain depth to allow camera pans. The VHS-Look was created with the help of über a Plugin.
For further informations to the projects in the showreel please click on the respective image below.
For further informations to the projects in the showreel please click on the respective image below.
Year: 2014
Postproduction Company: FXFactory
Position: 3D-Artist, Compositor
Software: Autodesk Maya, Autodesk Mudbox, The Foundry Nuke
As 3D-generalist I textured and shaded the CG-model of Cristo Redentor (Rio de Janeiro), did the lighting for the shots and set up everything for Rendering. As compositor I did the camera tracking for 3 shots, painted out the original statue and integrated the animated rendered statue of cristo in 4 Shots.
Year: 2014
Postproduction Company: Wonderlamp
Position: 3D-Artist
Software: Autodesk Maya, Adobe Photoshop
On this project I had to do the shading and texturing for four different characters and several objects like a castle, a cauldron, trees and more. Those assets were used to demonstrate the functionality of the software Djinni created by Wonderlamp. More details you can find here: Djinni Website.
Year: 2014
Postproduction Company: MovieBrats GmbH
Position: 3D-Artist, Compositor, TD
Software: Autodesk Maya, Eyeon Fusion
My task was to realize a poster for SYSpro GmbH. The footage was delivered by SYSpro, the concept design was done by Tom Schirdewahn at MovieBrats. I did the rest. Further informations about this project you can find here.
SYSpro Poster 1. Quarter 2014:
SYSpro Poster 2. Quarter 2014:
SYSpro Poster 2. Quarter 2017:
Year: 2014
Post-Production Company: MovieBrats GmbH
Position: 3D-Artist, Compositor, TD
Software: Autodesk Maya, Eyeon Fusion
The former spot was realised with Stop-Motion-Technics and further informations can be found under Bayer-IMC-Symphony.
My task was to create a digital orchestra and renew the content due to structural changes at Bayer. The look should stay more or less the same, just a little bit more generic, so that the orchestra still matches to the foreground.
